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Wonder Ponder, Visual Philosophy for Children, is an imprint specialising in products for fun and engaging thinking. This website provides accompanying material to our Wonder Ponder boxes, including guides for children, parents and mediators, ideas for wonderpondering and fun games and activities. It is also a platform for sharing your very own Wonder Ponder content and ideas.

Wonder Ponder Blog

The Wonder Ponder blog includes posts on the creative processes behind our Visual Philosophy for Children material, as well as workshop experiences, guest posts on a variety of topics and generally interesting, eye-catching or mind-bloggling stuff we feel like sharing with you. 

Filtering by Tag: Ellen Duthie

Cruelty declared apt for children

Ellen Duthie

Yesterday this fantastic review by Kim Kindermann of the German edition of Cruelty Bites published this month by Moritz Verlag (Grausame Welt?) was aired on German public radio Deutschlandfunk Kultur.

Here is a translation of the review. Long live Grausame Welt?!

Far from your typical read-aloud book for children:  Cruelty Bites , by Ellen Duthie and Daniela Martagón, approaches the subject in a playful way. (Moritz Verlag / imago / Westend61)

Far from your typical read-aloud book for children: Cruelty Bites, by Ellen Duthie and Daniela Martagón, approaches the subject in a playful way. (Moritz Verlag / imago / Westend61)

Deutschlandfunk Kultur

 LESART. 26.02.2019

Kim Kindermann

 Cruel situations and scenes, described and illustrated by two authors: Cruelty Bites invites children to think about good and evil. A very successful book about a very difficult subject, in our reviewer’s opinion.

"Let’s try pinching very hard. Any reaction?” says the card, showing a boy tied down to a table. The scientists experimenting on the child are rats. On another card, a man has been locked up in a cellar by a group of children. "Now you stay down here and think very carefully about what you’ve just done!" they say. And on another card, a girl is biting her own arm.

Three scenes, three cards. Three of a total of 20. All of them are square. On one side, we see a cruel situation: a girl kills an ant, some lions eat a goat, a mother and father serve a stew made with cat meat, some children pull a girl’s hair, a father holds down his son firmly to give him a shower. On the back of each card, lots of questions on the theme.

 Off with the rose-tinted glasses!

Philosopher Ellen Duthie doesn’t actually offer any answers as to what cruelty is. She asks where cruelty starts, what about the victims, what about the perpretrators, and whether an act might be less serious if it doesn’t last too long.

 Step by step we are invited to analyse the situation. The focus is always on the questions. What do you find cruel about it? Have you ever experienced a similar situation?

It is demanding. Ellen Duthie does not only ask children to deal with this difficult problem; she also tells them cruelty exists. So off with the rose-tinted glasses"! The world isn’t all pretty.

But should we ask children questions? Yes, we should! Because children live in this world, with all its shadows too; children see and also experience situations that are not easy. The sooner they learn to classify situations, to give them a name and understand their own feelings, the sooner they might try to avoid being cruel. Here, that happens because they are allowed to experience different situations playfully.

 Dialogue and reasoning about violence

But also because these cards invite readers to comment. Unlike your typical read-aloud book for children, here exchange and reasoning occurs. That is good. The format also contributes to this.

The cards allow several children at the same time to engage in dialogue about different aspects of cruelty and to reason with each other. Duthie manages to make you want to speak about a subject that many would rather avoid altogether.

Daniela Martagón’s illustrations are also a great success in this regard. On the one hand, they are simple, in black and white on a colour background, and reminiscent of cartoons. On the other hand, they play with the absurd as a mechanism of distance. Like the rats, that keep the children in cages as test subjects. Or the girl who bites herself, and whose enormous sharp teeth seem to belong more in the mouth of the cat that is standing opposite her, with its hair standing on end.

 Illustrations that don’t miss a beat

There’s nothing pretty or cute about the illustrations, which clearly hone in on the cruelty of the content. This is stressed further by the bright background colours: pink, orange, blue, green and yellow. They act like a flag: Attention! This is important!

And yes, this book of cards is important. Let’s state it clearly: children ought to be taken seriously. We can and should speak about subjects such as cruelty with them, philosophise with them.  

What is more, we can start early on, with no rush: Cruelty Bites is perfect for preschoolers and primary age children. What is ok and what is not? Where are the limits and to what extent can they shift? It is never to early to start talking about all of this.

Ellen Duthie, Daniela Martagón: Cruelty Bites / Mundo cruel
German edition translated from the Spanish by Paula Peretti 
Moritz Verlag, Frankfurt / Main 2019 


Original German review here.

"PINCH ME!" is here! Take a peek! The fourth title in the Visual Philosophy for Children series invites readers to explore reality, imagination and dreaming

Ellen Duthie


Pinch Me! [together with its versions in Spanish (¡Pellízcame!) and Catalan Pessiga’m!], the latest title in the Wonder Ponder series of Visual Philosophy for Children (and adults) has just arrived from the printers.  


In this fourth title in the series, authors Ellen Duthie (writer) and Daniela Martagón (illustrator) invite people of all ages, small, medium and big,  to wonder and ponder about reality, imagination and dreaming in a way that is both playfully serious and seriously playful. What is real and what is not quite so real?  

Pinch Me am I dreaming.png

Containing fourteen illustrated scenes designed to prompt wondering and pondering, Pinch Me! invites younger and older readers to explore a range of intriguing aspects about reality, imagination and dreaming, including the differences between real and pretend, real and alive, our senses and what they can (and can't) tell us about the world, and to wonder whether we could be dreaming or not. It also contains scenes that are likely to spark wondering and pondering about magic, virtual reality, fiction and reality, fake news and representation in selfies, in a way that is both relatable and destabilising, as well as riveting for a very broad age range, from age 6 to adults. 

As all Wonder Ponder fans out there know, every box contains a poster. This is normally a chance for illustrator Daniela Martagón to explore the theme of the box freely and sometimes wildly. This time both authors, writer and illustrator, have joined forces and gone wild, to create what is effectively a book within the book: Little Remo in Pinchmeland. A tribute to Sendak's' In the Night Kitchen ,which was in turn a homage to Winsor McCay's Little Nemo in Slumberland comic strips, this read-aloud comic on a poster takes Little Remo through dreamlike scenarios made up of elements from the 14 scenes in Pinch Me! and other literary scenes, making readers wonder whether or not he's dreaming and, perhaps, whether they are themselves dreaming. 

PinchMe_Tres ojos_escena.png

After Cruelty Bites (2014), I, Person (2015) and Whatever You Want (2016), and the success of the Wonder Ponder Visual Philosophy for Children's project not only in Spain, where the books are published originally, but also , thanks to the sale of foreign rights, in South Korea, Argentina, Mexico, Brazil and Germany, we took some time to digest everything that had happened since the launch of the Wonder Ponder imprint in November 2014. We took the time to step back and make sure that we knew where we were and where we wanted to go.  The pace of our project does not need to follow and would not benefit from following the pace of the publishing market. The research requires time, the creative process requires time, the testing with different age groups and ensuing reconsideration takes time. Slow publishing? That's us!

We are working to create a lasting collection, one that reaches other countries and languages and one which several generations of children and adults might hopefully enjoy. 

At a time where most of the voices we hear boom out answers and statements about the ways things are and the way they should be, it is more urgent than ever to develop the habit of owning, sharing and exploring our uncertainties. 

That is part of what we aim to do, with both a literary and a philosophical interest at heart, in the Wonder Ponder series of Visual Philosophy for Children. That is what we have done, with equal measures of rigour and playfulness in Pinch Me!

We hope you enjoy it! 

Readers outside Spain can purchase a copy online

More about 


What if life is a dream? 
An illusion?
Or a good old story?
When you pinch yourself, does it hurt?
And does the pain prove you are not dreaming?

 Can we trust our senses?
If our eyes sometimes trick us, might they always trick us?
How do we know that the world is as we perceive it and not as a fly or a dog sees it?

If you could connect to a machine that made you live and feel only good things, would you want to connect to it forever?

What is real? And what is not so real?
What do you think?

Half-way between a book and a game, Pinch Me! comes in a box and invites readers aged eight and over (adults too!) to think about reality, imagination and dream in a way that is both serious and seriously fun.

Part of the critically acclaimed Wonder Ponder, Visual Philosophy for Children series, Pinch Me! is designed for children to look at, read and think playfully about by themselves, accompanied by an adult or in a group, in educational, play or family contexts.

Themes:  reality ·  imagination ·  dream ·   memory ·   the five senses ·   perception ·   fiction/reality ·  real/pretend  ·   reliable information ·  real/virtual ·   philosophy for children.

·   14 illustrated scenes.
·   More than 100 carefully worded questions designed to spark a rich and well-oriented reflection without leading it to pre-established conclusions.
·   3 blank cards for readers to design their own philosophical scenes and pose their own questions.
·   Brief guide for children and adults.
·   Ideas for wonderpondering. Suggestions for use.
·   A-3 thematic poster: Little Remo in Pinchmeland

About The Wonder Ponder Visual Philosophy for Children series
Wonder Ponder introduces readers to philosophy’s big questions in a way that is playful and appealing. Engaging scenes and intriguing questions prompt reflection and discussion, encouraging children to develop their own thoughts and arguments and to build a visual and conceptual map of the issue addressed in each box.

Interested in learning more about the Visual Philosophy for Children series by Wonder Ponder? Check out our website and our online shop

Wonder Ponder at the 18th International Conference of the International Council for Philosophycal Inquiry with Children (ICPIC)

Ellen Duthie


Wonder Ponder's Visual Philosophy for Children author Ellen Duthie will be taking part in the 18th International Conference of the Internacional Council for Philosophical Inquiry with Children (ICPIC) to be held this week in Madrid (opening on Wednesday 28th and ending on Saturday 1st of July).

Under the theme 'Philosophical Inquiry with Children Coming of Age: Family resemblances' the conference aims to offer "an open discussion covering all the different approaches to the implementation of the community of philosophical inquiry in formal, non-formal and informal education. [...] After nearly 50 years of engaging children, adolescents and adults in a community of philosophical inquiry in different (formal, non-formal and informal) educational settings, a wide variety of methods and styles have been used that share some common features and a family resemblance.". 

Ellen has shared with us what she will be doing at the conference: 


On Thursday morning, I will be presenting my paper "The Wonder Ponder Visual Philosophy for Children’s Independently Narrative but Thematically Connected Visuals as Stimuli for Philosophical Inquiry”, where I will explore the specific qualities of Wonder Ponder visual philosophy scenes in terms of how they operate to stimulate dialogue compared to other types of stimuli commonly used in philosophical practice with children, such as Lipman's philosophical novels or quality picture books chosen for their potential for philosophical inquiry.  
At the crossroads between philosophy, art and literature, Wonder Ponder boxes use thought-provoking visuals to encourage readers to explore philosophical issues (cruelty, identity and freedom in the three boxes published to date), aiming to foster independent, deep and playful thinking. Each box contains 14 striking, independently narrative but thematically connected scenes for thinking about and engaging in philosophical dialogue on a given issue. It also includes a further 3 blank scenes for readers to contribute to the book as authors and artists and, innovatively, as thought-provokers.
I will suggest that, by virtue of being both deliberately philosophical and deliberately literary, the Wonder Ponder material interestingly incorporates advantages of other existing stimuli.
Like Lipman’s philosophical novels, Wonder Ponder scenes and sets of scenes are designed with philosophical intention, even though the result is far closer to the picture book form than the novel form. The advantage of being able to design material with philosophical intention is that it allows you to purposefully pack the material with philosophically stimulating potential. I will explore the differences and similarities between engaging with text-based philosophical stimulus and image-based philosophical stimulus in these two cases.
On the other hand, like picture books, Wonder Ponder scenes are designed and developed with literary intention. The advantage of creating material with literary intention is that it allows authors to bring out the deep connections between philosophy and literature in ways that are interestingly effective for stimulating philosophical inquiry with children. I will explore the differences and similarities between engaging with a picture book and one Wonder Ponder scene, and between a picture book and a full set of Wonder Ponder scenes, as a philosophical stimulus. 
In addition, the visual philosophy scenes in the Wonder Ponder boxes add one important advantage of their own in terms of thought and dialogue stimulation: the possibilities arising from comparing and contrasting.
Although individually narrative scenes, the scenes included in a given Wonder Ponder box are designed to prompt questions and thinking by themselves, but also to prompt thinking through comparison and in conjunction with the other scenes in their box. Thus, each box tells 14 stories with connections, both literary and philosophical, incorporating an interesting and relatively unexplored territory within the range of stimuli for philosophical inquiry: the possibility of comparing and contrasting complex, yet easily and immediately grasped scenarios from an early age and making connections between different fields and issues.
Besides presenting, I am also part of the Organizing Committee of the conference, which aims to be a fully bilingual conference (with sessions combining English and Spanish presentations and workshops), so our work's cut out for us! 
I'm very much looking forward to seeing some friends again and to meeting many others. I'm hoping -I'm sure- that this will be a stimulating opportunity to share and learn from each other. 
The conferences and some of the presentations and symposia will be broadcast live at https://www.youtube.com/c/RafaelRoblesLoro

Our Wonder Ponder titles (Cruelty Bites, I, Person and Whatever You Want will be available at the conference bookshop stall). 

See you in Madrid!